Also known as Catedral de Santa María de la Sede (Cathedral of St. Mary of the See), it is the largest Gothic cathedral in the world and the third Christian temple after St. Peter’s in Rome and St. Paul’s in London.
Museum
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| Cabeza de San Juan Bautista. Juan de Mesa. Hacia 1625. |
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| La Magdalena. Artemisia Gentileschi. 1622-1625 |
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| Virgen del Rosario. Francisco de Zurbarán. 1645-1650 |
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| San Lázaro con Santa Marta y Santa María Magdalena. Juan de Valdes Leal. Hacia 1660. |
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| Santas Justa y Rufina. Miguel de Esquivel. 1620. |
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Capilla de San Antonio
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Vision of Saint Antony of Padua. Bartolomé Esteban Murillo. 1656
Baptism of Christ. Bartolomé Esteban Murillo. 1667 |
The Vision of St. Anthony (1656), one of Murillo’s most celebrated pictures, is an early example of his so-called “vaporous” style, which was derived from Venetian painting. (Britannica)
A painting depicting Saint Anthony wearing the habit of a Franciscan friar and kneeling with arms outstretched. A vision of the Christ child surrounded by angels and clouds is above the kneeling friar. (Getty Museum)
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| The Adoration of the Kings. Jacob Jordaens. 1669 |
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| Trinity. Luis Tristan. 1624 |
Altar del Ángel de la Guarda
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| The Guardian Angel. Bartolomé Esteban Murillo. 1665 |
Capilla de San Pedro
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| The Repentance of Saint Peter. Francisco de Zurbaran. 1630-1635 |
see also
https://elenajakovlevna.livejournal.com/2758.html
https://commons.wikimedia.org/wiki/Catedral_de_Sevilla
